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    April 2018

    The Live Cinema Series continues with a screening of the current production of Carmen by The Royal Opera on Wednesday, April 11 at 6:00 p.m., and again on Sunday, April 15 at 2:00 p.m. This production is filmed live in London and rebroadcast internationally to select screens.

    Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.

    This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.

    For this production, Jakub Hrůša conducts the following cast:

    MORALÈS – Gyula Nagy
    MICAËLA – Kristina Mkhitaryan
    DON JOSÉ – Francesco Meli
    ZUNIGA – David Soar
    CARMEN – Anna Goryachova
    FRASQUITA – Jacquelyn Stucker
    MERCÉDÈS – Aigul Akhmetshina
    ESCAMILLO – Kostas Smoriginas
    DANCAÏRO – Pierre Doyen
    REMENDADO – Jean-Paul Fouchécourt
    VOICE OF CARMEN – Claude de Demo

    This screening runs approximately 3 hours 50 minutes including one intermission and an onscreen introduction.

    NOTE: Carmen is sung in French with English surtitles. 

    Reserved seating tickets ($15 Adults, $10 Students/Youth) are available online or by calling the box office at 509-529-6500. For group ticket sales, please call 509-876-1662. Outside food and beverages are not allowed. Beer, wine, popcorn, and snacks will be available for purchase, and may be taken into the theater.

    Read more »

    The Live Cinema Series continues with a screening of the current production of Carmen by The Royal Opera on Wednesday, April 11 at 6:00 p.m., and again on Sunday, April 15 at 2:00 p.m. This production is filmed live in London and rebroadcast internationally to select screens.

    Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.

    This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.

    For this production, Jakub Hrůša conducts the following cast:

    MORALÈS – Gyula Nagy
    MICAËLA – Kristina Mkhitaryan
    DON JOSÉ – Francesco Meli
    ZUNIGA – David Soar
    CARMEN – Anna Goryachova
    FRASQUITA – Jacquelyn Stucker
    MERCÉDÈS – Aigul Akhmetshina
    ESCAMILLO – Kostas Smoriginas
    DANCAÏRO – Pierre Doyen
    REMENDADO – Jean-Paul Fouchécourt
    VOICE OF CARMEN – Claude de Demo

    This screening runs approximately 3 hours 50 minutes including one intermission and an onscreen introduction.

    NOTE: Carmen is sung in French with English surtitles. 

    Reserved seating tickets ($15 Adults, $10 Students/Youth) are available online or by calling the box office at 509-529-6500. For group ticket sales, please call 509-876-1662. Outside food and beverages are not allowed. Beer, wine, popcorn, and snacks will be available for purchase, and may be taken into the theater.

    Read more »

    The Live Cinema Series continues with a screening of the current production of Macbeth by The Royal Opera on Wednesday, April 25 at 6:00 p.m. and again on Sunday, May 13 at 2:00 p.m. A portion of the proceeds ($1/ticket) will be donated to the Walla Walla Symphony.

    Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.

    The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts. Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored.

    Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria “La luce langue.”

    Antonio Pappano conducts a cast led by Serbian baritone Željko Lučić as Macbeth, Russian soprano Anna Netrebko as Lady Macbeth (one of her signature roles) and Italian bass-baritone Ildebrando D’Arcangelo as Banquo.

    NOTE: This production is sung in Italian, with English surtitles. This screening has a runtime of approximately 3 hours, 20 minutes, including one intermission and an on-screen introduction.

    This production is performed by the Royal Opera, filmed live in London, and rebroadcast to select theaters.

    Reserved seating tickets ($15 Adults, $10 Students/Youth) are available online or by calling the box office at 509-529-6500. For group ticket sales, please call 509-876-1662. Outside food and beverages are not allowed. Beer, wine, popcorn, and snacks will be available for purchase, and may be taken into the theater.

    Read more »
    May 2018

    “Bernstein Centenary” is a mixed program honoring the creative genius of Leonard Bernstein as part of the special worldwide centennial celebration of works created in response to his music.

    Continuing his distinctive creative collaborations beyond the world of dance, Wayne McGregor’s new ballet “Yugen” incorporates designs by artist Edmund de Waal, and is set to Bernstein’s “Chichester Psalms.” Liam Scarlett’s ballet “The Ages of Anxiety” is set to Bernstein’s “Symphony No 2” with design by John Macfarlane. Christopher Wheeldon collaborates with award-winning fashion designer Erdem Moralioglu to create the costumes for the world premiere of “Corybantic Games.”

    Read more »

    The Live Cinema Series continues with a screening of the current production of Macbeth by The Royal Opera on Wednesday, April 25 at 6:00 p.m. and again on Sunday, May 13 at 1:30 p.m. A portion of the proceeds ($1/ticket) will be donated to the Walla Walla Symphony.

    Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.

    The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts. Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored.

    Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria “La luce langue.”

    Antonio Pappano conducts a cast led by Serbian baritone Željko Lučić as Macbeth, Russian soprano Anna Netrebko as Lady Macbeth (one of her signature roles) and Italian bass-baritone Ildebrando D’Arcangelo as Banquo.

    NOTE: This production is sung in Italian, with English surtitles. This screening has a runtime of approximately 3 hours, 20 minutes, including one intermission and an on-screen introduction.

    This production is performed by the Royal Opera, filmed live in London, and rebroadcast to select theaters.

    Reserved seating tickets ($15 Adults, $10 Students/Youth) are available online or by calling the box office at 509-529-6500. For group ticket sales, please call 509-876-1662. Outside food and beverages are not allowed. Beer, wine, popcorn, and snacks will be available for purchase, and may be taken into the theater.

    Read more »

    The Live Cinema Series continues with a screening of the current Royal Shakespeare Company production of Macbeth on Wednesday, May 16 at 6:00 p.m and again on Sunday, May 27 at 2:00 p.m. This production is filmed live in Stratford-Upon-Avon and rebroadcast internationally to select screens. A portion of each ticket sale will benefit Shakespeare Walla Walla.

    This contemporary staging of Shakespeare’s darkest psychological thriller marks both Christopher Eccleston’s RSC debut and the return of Niamh Cusack to the Company. Eccleston is known for portraying the Ninth Doctor in the British television series “Doctor Who” and Matt Jamison in the American drama series “The Leftovers” on HBO.

    Read more »

    “Bernstein Centenary” is a mixed program honoring the creative genius of Leonard Bernstein as part of the special worldwide centennial celebration of works created in response to his music.

    Continuing his distinctive creative collaborations beyond the world of dance, Wayne McGregor’s new ballet “Yugen” incorporates designs by artist Edmund de Waal, and is set to Bernstein’s “Chichester Psalms.” Liam Scarlett’s ballet “The Ages of Anxiety” is set to Bernstein’s “Symphony No 2” with design by John Macfarlane. Christopher Wheeldon collaborates with award-winning fashion designer Erdem Moralioglu to create the costumes for the world premiere of “Corybantic Games.”

    Read more »

    The Live Cinema Series continues with a screening of the current Royal Shakespeare Company production of Macbeth on Wednesday, May 16 at 6:00 p.m and again on Sunday, May 27 at 2:00 p.m. This production is filmed live in Stratford-Upon-Avon and rebroadcast internationally to select screens. A portion of each ticket sale will benefit Shakespeare Walla Walla.

    This contemporary staging of Shakespeare’s darkest psychological thriller marks both Christopher Eccleston’s RSC debut and the return of Niamh Cusack to the Company. Eccleston is known for portraying the Ninth Doctor in the British television series “Doctor Who” and Matt Jamison in the American drama series “The Leftovers” on HBO.

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    June 2018

    Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion.

    Kenneth MacMillan’s source for Manon was the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on March 7, 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.

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    September 2018

    The Live Cinema Series continues with a screening of the current Royal Shakespeare Company production of “Romeo and Juliet” on Wednesday, September 5 at 6:00 p.m. This production is filmed live in Stratford-Upon-Avon and rebroadcast internationally to select screens. A portion of each ticket sale will benefit Shakespeare Walla Walla. 

    Shakespeare’s most famous story of love at first sight explodes with intense passion in this contemporary production with heartbreaking consequences. Set in a world very like our own, this “Romeo and Juliet” is about a generation of young people born into violence and ripped apart by the bitter divisions of their parents. Erica Whyman directs this production with Karen Fishwick (Juliet) and Bally Gill (Romeo) in the title roles.

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    Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.

    Prince Siegfried (Vadim Muntagirov) chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette (Marianela Nuñez), he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night.

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    This breathtakingly-beautiful Tony Award-winning Broadway musical, inspired by the Oscar-winning MGM film, tells the impassioned story of discovering love in the “City of Light” in 1945. An American GI’s chance encounter with a beautiful young dancer in Paris becomes the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war.

    “An American in Paris” features the gorgeous music and lyrics of George and Ira Gershwin, stunning designs, and show-stopping choreography by Christopher Wheeldon (“Alice’s Adventures in Wonderland”, The Royal Ballet). With a record-setting 28 five-star reviews from critics, “An American in Paris” is an “old-fashioned, big-hearted spare-no-expense Broadway romance” (The Wall Street Journal).

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    This breathtakingly-beautiful Tony Award-winning Broadway musical, inspired by the Oscar-winning MGM film, tells the impassioned story of discovering love in the “City of Light” in 1945. An American GI’s chance encounter with a beautiful young dancer in Paris becomes the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war.

    “An American in Paris” features the gorgeous music and lyrics of George and Ira Gershwin, stunning designs, and show-stopping choreography by Christopher Wheeldon (“Alice’s Adventures in Wonderland”, The Royal Ballet). With a record-setting 28 five-star reviews from critics, “An American in Paris” is an “old-fashioned, big-hearted spare-no-expense Broadway romance” (The Wall Street Journal).

    Read more »
    October 2018

    Down on his luck in the suburbs, John Falstaff plans to hustle his way to a comfortable retirement by seducing the wives of two wealthy men. Unknown to him, it’s the women of Windsor who really pull the strings, orchestrating Falstaff’s comeuppance amidst a theatrical smorgasbord of petty rivalries, jealousies and over-inflated egos. For a fat Englishman, a Welshman and a Frenchman, the only way is Windsor. David Troughton returns to the Royal Shakespeare Company as John Falstaff, following his recent title role in Titus Andronicus. Filmed live in Stratford-upon-Avon and rebroadcast to select theaters.

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    Following its record-breaking, sell-out run in London’s West End and national tour, the critically-acclaimed musical Funny Girl comes to a cinema near you, featuring Sheridan Smith in “an unforgettable star turn” (The Times). Funny Girl is semi-biographical, based on the life and career of Broadway star, film actress and comedienne Fanny Brice (a role made famous by Barbara Streisand on Broadway and in the 1968 film adaptation), and her stormy relationship with entrepreneur and gambler Nick Arnstein (Darius Campbell).

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    November 2018

    Under the watchful gaze of his young assistant, and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting.

    Award-winning stage and screen actor Alfred Molina reprises his critically acclaimed performance as the American abstract expressionist painter Mark Rothko. He is joined by rising star Alfred Enoch of US television drama series “How to Get Away With Murder” as his assistant Ken. MGC Artistic Director Michael Grandage directs this production which went on to win six Tony Awards, including Best Play.

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    The Live Cinema series continues with a screening of the current Royal Ballet production of Kenneth MacMillan’s “Mayerling,” with one screening on Wednesday, November 14 at 6:00 p.m. Choreographer Kenneth MacMillan brings 19th-century Europe to life with this dark and dangerous ballet. Based on the true story of Crown Prince Rudolf, “Mayerling” reveals a country on the brink of collapse, impending war in Europe and a love affair between Rudolf and his mistress Baroness Mary Vetsera that ends in tragedy. 

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    The multi-award winning and critically acclaimed Lincoln Center Theater’s production of Rodgers and Hammerstein’s The King And I comes to cinemas – recorded live from London’s iconic Palladium. Making their West End debuts are the original Broadway stars: Kelli O’Hara (Anna) reprising her Tony Award-winning performance, and Tony and Academy Award nominee Ken Watanabe (The King). Also returning to her Tony Award-winning role Ruthie Ann Miles (Lady Thiang).

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    December 2018

    The Live Cinema series continues with a screening of the current Royal Opera production of Wagner’s “Die Walküre,” with one screening on Sunday, December 9 at 1:00 p.m. “Die Walküre” (The Valkyrie) is the second opera in Richard Wagner’s epic Der Ring Des Nibelungen (The Ring Cycle). It features several of the Ring’s musical highlights – the sparkling Magic Fire Music and the electrifying Ride of the Valkyries.

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    The Live Cinema Series continues at Gesa Power House Theatre with a screening of the current Royal Ballet production of The Nutcracker on Sunday, December 16 at 2:00 p.m. This production is filmed live in London and rebroadcast internationally to select screens. Peter Wright’s nigh-on definitive production for The Royal Ballet ranks as one of the most enduring and enchanting versions of The Nutcracker. With its festive period setting, dancing snowflakes and enchanting stage magic, Lev Ivanov’s 1892 ballet has become the perfect Christmas entertainment, with Tchaikovsky’s sumptuous, sugar-spun music the most recognizable of all ballet scores.

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    January 2019

    In this Live Cinema screening of a current Royal Ballet production, choreographer Natalia Makarova brings the 19th-century Russian classic “La Bayadère” to life in her adaptation of Marius Petipa’s original choreography. Highlights include the Kingdom of Shades scene in Act III, a showcase for the corps de ballet as they perform arabesques across the moonlit stage. The cast will feature Royal Ballet Principals Marianela Nuñez as Nikiya, Vadim Muntagirov as Solor and Natalia Osipova as Gamzatti.

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    Mad Max meets Ancient Greece in Shakespeare’s play of love, war and celebrity. Troilus and Cressida swear they will always be true to one another. But in the seventh year of the siege of Troy their innocence is tested, and exposed to the savage corrupting influence of war, with tragic consequences. Virtuoso percussionist Evelyn Glennie collaborates with RSC Artistic Director Gregory Doran to create a satirical futuristic vision of a world resounding with the rhythm of battle.

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    February 2019

    The world’s most unmistakable voice returns to the big screen when Josh Groban’s Bridges Tour from Madison Square Garden comes to select cinemas nationwide for a spectacular one-night concert event with special guest appearances by Idina Menzel and Jennifer Nettles.

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    In Tchaikovsky’s intense opera of obsession and the supernatural, Gherman is caught between the woman he loves and a destructive fixation. The Queen of Spades is based on a short story by Pushkin, and comes to the Royal Opera House in a new production that has already garnered five-star reviews in Amsterdam. The production is set in 1890, the year of the opera’s premiere. In his study, Tchaikovsky imagines the opera into life as his own story, its characters giving voice to his unfulfilled desires. This is an engrossing portrayal of a tortured creative artist and a gripping piece of gothic storytelling.

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    March 2019

    Richard Eyre’s beautiful production provides the perfect setting for Giuseppe Verdi’s opera about a courtesan who sacrifices all for love. From the thrill of unexpected romance to a heartbreaking reconciliation that comes too late. Alfredo falls in love in with the courtesan Violetta in glamorous Paris society, but underneath the surface run darker undercurrents, leading to a tragic ending. The opera’s wealth of melodies includes the famous Brindisi and the exuberant “Sempre libera” – both showing the lyricism of Italian opera at its most immediately appealing.

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    Cervantes’s story of the bumbling knight Don Quixote has inspired countless artistic interpretations. Marius Petipa choreographed this sparkling ballet about the encounters of the man from La Mancha and his faithful squire Sancho Panza. Carlos Acosta’s vibrant staging brings together the whole Royal Ballet Company in such roles as exuberant villagers, passionate gypsies and even fantasy flowers. The story follows Don Quixote’s picaresque journey to do deeds in honor of his imaginary noble lady, Dulcinea. Sunny, charming, funny and touching – Don Quixote is a ballet as full of uplifting emotion as it is of astonishing ballet technique.

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    Cervantes’s story of the bumbling knight Don Quixote has inspired countless artistic interpretations. Marius Petipa choreographed this sparkling ballet about the encounters of the man from La Mancha and his faithful squire Sancho Panza. Carlos Acosta’s vibrant staging brings together the whole Royal Ballet Company in such roles as exuberant villagers, passionate gypsies and even fantasy flowers. The story follows Don Quixote’s picaresque journey to do deeds in honor of his imaginary noble lady, Dulcinea. Sunny, charming, funny and touching – Don Quixote is a ballet as full of uplifting emotion as it is of astonishing ballet technique.

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    April 2019

    Leonora falls in love with Don Alvaro, but when her father forbids their marriage, a fatal accident triggers a drama of obsession, vengeance and tragedy. Jonas Kaufmann and Anna Netrebko star in Verdi’s epic La forza del destino (The Force of Destiny) an opera which demands the very best of singers for its powerful music and the fullest theatrical treatment for its story of bitter revenge pursued across miles and years. The production comes to The Royal Opera in a sensational staging from Amsterdam packed with colour and action. It is directed by Christof Loy and conducted by Antonio Pappano, Music Director of The Royal Opera.

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    May 2019

    Rosalind is banished, wrestling with her heart and her head. With her cousin by her side, she journeys to a world of exile where barriers are broken down and all can discover their deeper selves. Director Kimberley Sykes (Dido, Queen of Carthage) directs a riotous, exhilarating version of Shakespeare’s romantic comedy. Filmed during a live event, the Live Cinema Series broadcasts offer audiences an equivalent to the best seat in the house, with incredibly detailed close-ups of the performers.

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    June 2019

    There are many versions of the story of Faust, who trades his soul with the Devil for youth and power, but Gounod’s opera remains one of the most constantly enthralling. Michael Fabiano stars as Faust, with Diana Damrau as his beloved Marguerite and Erwin Schrott as the diabolical Méphistophélès. Virtuoso leading roles, a large chorus, sensational sets, ballet and an ecstatic finale make this the epitome of theatrical spectacle – the lavish scale of French grand opera is wonderfully in evidence in this production by David McVicar, set in 1870s Paris. Above all, the music includes several of popular opera’s most recognizable numbers, performed by a cast of great international singers and the Royal Opera Chorus.

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    The contemporary face of The Royal Ballet is shown in works from three of today’s leading choreographers. Wheeldon’s Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Bossi and lit with rich colours suggested by sunset. Pite’s Flight Pattern, revived for the first time, uses Górecki’s familiar music and a large dance ensemble for a poignant and passionate reflection on migration. Between them, Medusa, a new work created by the acclaimed choreographer Sidi Larbi Cherkaoui, has its premiere to bring the contemporary truly up-to-date.

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    In a reimagined 1590, England is a matriarchy. Baptista Minola is seeking to sell off her son Katherine to the highest bidder. Cue an explosive battle of the sexes in this electrically charged love story. Justin Audibert (Snow in Midsummer, The Jew of Malta) turns Shakespeare’s fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.

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    July 2019

    Shakespeare’s enduring love story is known the world over. Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a modern ballet classic. The choreography captures the emotions of the young couple as they fall in love, despite the barriers that finally bring about the story’s tragic end. Each revival gives opportunities for new dancers to interpret the doomed lovers. The whole Company brings the colour and action of Renaissance Verona, where a busy market all too quickly bursts into sword fighting, and a family feud leads to tragedy for both the Montagues and Capulets.

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    September 2019

    When a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her. Shakespeare wrote this play in the early 1600s, yet it remains astonishingly resonant today. Artistic Director Gregory Doran directs this new Royal Shakespeare Company production. Filmed live and rebroadcast to theaters.

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